My previous post looked at Palladio Londinensis' instructions for the use of geometry to design of entrances.* I found that essential information necessary to the layouts was left out/ not understood/missing. Given that background, reading and writing about this book by James Gibbs has been a pleasure.
RULE for DRAWING the several PARTS of ARCHITECTURE
By JAMES GIBBS
The Third Edition,
London 1753**
This is a small book, 28 pages of text, 64 engravings. Gibbs is simplifying the design of columns. He discusses the complexity of dividing a module (the diameter of given circle) into minutes and seconds; that it's difficult to "divide the small parts with a compasses" and may "occasion mistakes".
He starts, "Of Columns and their Measures". The heights of columns are listed: "The Tuscan - 7 diameters. The Doric - 8 Diameters. The Ionic - 9 diameters. The Corinthian - 10 diameters. The Roman or Composite - 10 Diameters." Next he discusses Entablatures, then his 64 Plates.
I am curious about how did masons and carpenters working on ordinary vernacular buildings use Practical Geometry. Can Gibbs' engravings tell me about vernacular design c.1730-50?
Here are Gibbs' notes on 6 doors.Plate XXVII shows 3 door frames: Tuscan, Dorick, and Ionick.
Each door has a segmented line on the left side. The divisions start at the top of the base of the columns. The Tuscan and Dorick lines both have 5 sections, one of which is the entablature's height.
The Ionick door has 6 sections, one of which is the entablature.
Those sections are the modules for all the parts of the door. The module is a length, a diameter of a circle drawn by a compass. So how does builder choose how big to make it? Where does he begin?
Gibbs writes, "First find the Diameter of the Column, give 6 Diameters from middle to middle of the Columns..."
From that diameter comes the
sizes: the spacing of the columns, the width and height of the door
opening. The door frame is a 'semidiameter', half a diameter, a radius.
Vernacular buildings in the Colonies had doors with similar entablatures. Do the entrances for the Rockingham, VT, Meetinghouse follow Gibbs' instructions? I will check.
Gibbs' Plate XLII, 'Three Doors with Archtraves'.
Gibbs focuses on the architraves. I am looking at the doors. I want to know if our American builders use these rules to layout doors.****
The geometry for dividing a diameter - or any line - into 6 equal parts:
Using your line as the length of the sides, draw a square. 1) Add the diagonals . 2) Add the center lines. 3) Add the 4 lines from corner to opposite center point. Note the points where the lines intersect. 4) Connect those points with lines.
You have divided the square into 3 long rectangles, and your line into 3 equal parts. See '1/3,1/3/1/3' above the square.
The distance between the center line of the square and the closest vertical line is 1/6 of your line . See "1/6" below the square, lower right.
* https://www.jgrarchitect.com/2024/12/palladio-londiensis-frontispieces-c1755.html
**I am reading this through the University of Notre Dame https://www3.nd.edu › Gibbs-Park-folio-18
The first edition was published in 1732. It was available for purchase in the Colonies. I am always interested to see what words and phrases are capitalize in books printed in this era.
***For more information about pediments see my posts about Vignola's Rule for Pediments
**** Today, a builder has a catalogue of doors to choose from. The doors may look different, but their widths and height are similar: exterior doors are 3' x 6'8", 3'x7'. Other sizes must be special ordered or custom-made. Before the Industrial Revolution there was no such uniformity.
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