Andrea Palladio wrote that he chose to use a Module to lay out the columns he drew.*
All the dimensions which he noted were derived from the diameter
of the column measured at the bottom, ie: the height of the column, the capital, architrave, frieze and cornice. 
He wrote, " ..in the dividing and measuring the said orders, I would not make use of any certain and determinate measure peculiar to any city, as a cubit, foot, or palm, knowing that these several measures differ as much as the cities and countries; but imitating Vitruvius, who divides the Doric order with a measure taken from the thickness or diameter of the columns, common to all, and by him called a module, I shall make use of the same measure in all the orders."
The cross section, the diameter, of a column is a circle.
A daisy wheel is a circle.
It's easy to draw with a compass or dividers.
It is a module.
This sheathing board leans against my corn crib. It was siding for a timber framed shed, part of a farm complex in Danby, Vermont. The board is 10' tall, angled at the top to fit under the roof eaves.
Today it folds in 2 places. It fits in my car; it stands on its own at a conference, ready to be seen and examined.
The daisy wheel was cut into the board at a height of 42" above the floor, a good height for the builder and his crew who would have set their dividers to its width. All of them needed to be using the exact same dimension (their module) as they laid out their work.
This daisy wheel's diameter is slightly more than 8 inches.
The wheel is just above the center of the photo. In the images below the board has been laid down.
Dividers set from one petal to the other across from it, the diameter of the daisy wheel.
Note the holes on the circumference and the center left by previous users.
Here the dividers, set open at the same angle, are rotated 60* farther around the circumference. They are at the points of another pair of daisy wheel petals, the circle's diameter. The distance is the same as it was before.
Note the holes are not quite on the petals tips, rather they are on the circumference of the circle. Many daisy wheels were not precise.
Here the dividers points have been slipped into the holes drilled by all the previous carpenters' dividers.
My dividers slid right in place, so secure they stood by themselves.
I had never tried this before - I was surprised and awed: my placement was one that many had done before me.
The black marks on the board above the daisy wheel are the holes left by rusty nails.
* Andrea Palladio, Four Books on Architecture, 1570, Isaac Ware English Translation, 1738, Dover reprint, 1965. Palladio's statement about modules is on page 13, First Book. The image of the Doric Order is Plate XII, First Book.






1 comment:
This is an interesting inference from a single instance of a hexfoil but you're missing some key information about the number, distribution, shape and explicit uses of these symbols across 3 continents. They were explicitly used for magical protection as part of a canon of sgraffito on the outside of Swiss buildings... they were used to protect buildings from fire/lightning on the central supporting ceiling beam of wooden houses in Poland... they are part of the set of symbols used on Basque grave markers... they were used as a direct substitute for the cross on Anglo-Saxon era Christian grave markers (on the Isle of Man and Orkney)... etc. etc.. They frequently occur in large numbers and of wldly different sizes and very much not at a convenient height for peopel to set their dividers to. They frequently occur with a large number of concentric rings super-imposed on them in English churches and Cathedrals (such as Salsibury cathedral or St Georges in Romney Marsh on both stone and wood) which rather defeats the idea that they were supposed to retain a single key measurement. They appear around doorways, windows, chimneys and other openings and alongside other well recognised apotropaic markings. Given the number of archaeologists who have reached concensus on this I think you can let go of your dis-enchanting take and allow yourself to believe that remnants of magical beliefs from previous centuries are, actually, all around us.
Post a Comment